Wine Writer - hard work or just an excuse to get drunk?

Would you like to be a wine writer? Spending your days flitting between (free) lunch and (free) dinner, drinking (free) wines and travelling the world (you guessed it, for free)?
For most people this sounds like the ultimate job, entailing an awful lot of entertainment and only some well crafted writing required to pay for it all.
The reality, however, is nowhere near as glamorous. In fact, the job of wine writer in 2011 is a genuinely hard, low paying slog, particularly as the traditional bastion of a wine writers income - the newspaper column - has withered away.
To make ends meet then what most wine critics now do is embrace versatility. They teach students how to appreciate the finer points of vino in wine appreciation courses, hold corporate wine tasting gigs for bankers/accountants/lawyers etc and do all sorts of odd consulting work on the side. In other words, they scrap and scramble and moonlight and slave.
Yet it's not all dirty work though. If you can sell a few copies of your book (like the king of Australian wine writing, James Halliday, does) or maintain a healthy subscription based website (like revered critic Jancis Robinson does) then the gig is made that little bit easier. The stiff reality though is that even the top wine writers would be lucky to make six figures in a year and the vast majority make half that (or less) from wine writing alone.
Beyond the dollars (or lack of) the other perils of the wine writers life are largely lifestyle related. All that wine does terrible things to your teeth (wine is highly acidic after all) and most wine writers are thus on good terms with their dentist (a full mouth of capped teeth for your sir?).
The other industrial hazard of course is that whole 'alcohol' part of wine, which can prove particularly hazardous to your health if abused. It may surprise many to hear it but there are genuinely few alcoholics amongst the top wine writers. All can drink, yet most actually do a lot of tasting and comparatively little drinking. There are exceptions of course, such as the legendary Mark Shield, who was renowned for both his lively writing and his lively thirst.
So what does a typical wine critics day look like then? Tasting. Lots of tasting. 50 wines before lunch is pretty normal. Then a lunchtime masterclass/winemaker tasting (hopefully somewhere nice) and then another tasting in the afternoon, before home to write well into the evening.
Ultimately, for all the glamour of eating/drinking at great restaurants and the promise of unlimited wine on tap, the reality is that wine writers tend to have to live and breathe wine to make it work. Wine must be your morning, your noon, your night, with all wine writers forced to realise that the money will never be great, but communicating about something as interesting as wine is truly satisfying.
Sound like something you could handle?
Andrew Graham